Menu

Peter

Forum Replies Created

Viewing 15 posts - 1 through 15 (of 1,312 total)
  • Author
    Posts
  • #455367
    Peter
    Participant

    Thomas, I appreciate your honesty, and it reminded me of a poem by Rick Cain

    The ancient of Man ponders his curiosity. Questions arise as he wonders of his own significance… How time moves as sands of an hour glass, not to be grasped, but reckoned with by the moment. The focus of a single crystal houses Hope, Love and the rainbow multitude of Life’s involvement. We see these things as in passing… we feel them as now. The Master of these sands is he who loves each crystal.”

    I’ve never been great at zazen myself. I used to approach the silence as if I were building a fortress, trying to keep the “world” out so I could finally be “spiritual.” I had to let that go. Part of the letting go was changing my relationship to the word “spiritual” to a experience of “Harmony”.

    So when you say a pop song breaks in, wonder if that song isn’t a wall but a Gate?

    When you sit in the silence and a song arises, it feels like encountering that “rainbow multitude of Life’s involvement.” That lyric in your head a crystal of sand, a opportunity to “reckon with the moment,” where the silence turns out to be big enough to carry the song.

    Your instinct to writing those lyrics out feels like an act of loving the crystal. Acknowledging that right now, the universe is singing a popular tune through you. I don’t think the SandMaster would tell you to be quiet; he’d probably just start humming along.

    #455366
    Peter
    Participant

    Thomas, I have the same curiosity and fear. Begging the question: what is the etiquette around tattoos?
    Some are works of art and I really want to look and hear their story, but I never ask. Caution being the better part of Valor. 🙂

    #455348
    Peter
    Participant

    Thanks Thomas. you remind me that the ‘original key’ is always here, just waiting for us to tune the instrument.

    I think my own path is a bit of a trinity of Prayer, Meditation, and Contemplation.

    Meditation’ is often defined as quieting the mind until thoughts stop, however, I’ve come to see it more as a flow. A act of ‘pondering and treasuring’ that notices how they pass and holding them lightly.

    In this flow, Prayer is the opening of the heart; Meditation is the movement; and Contemplation is the silence… I try not to get too wrapped up in those specific labels, though. I don’t want the words to define the experience, only to act as a shorthand for the way the heart opens.

    Less Zen, I guess and perhaps more Hermetic – AI describes as:
    — Prayer (Opening): Not a petition for “things,” but a turning of the will. It is the Mary-like “Yes” that makes the heart receptive.
    — Meditation (Pondering): This is where you “hold words lightly.” It is a rhythmic, imaginative thinking that doesn’t try to “solve” the world, but simply “treasures” the images until they begin to speak.
    — Contemplation (Silence): This is the “Virgin Birth” of meaning. The words fall away, the “shore” of language vanishes, and you are left in the Splendor of Silence. It is no longer “about” God; it is the presence of G_d. It is here I wonder that ‘new consciousness’ arises?

    I’ll be sure to check out that Seals and Crofts song, it’s a beautiful reminder that we are all just passing through together.

    #455342
    Peter
    Participant

    I’m reminded of Rumi’s image of words as waves on a vast sea. Sometimes those waves are gentle, and sometimes they arrive as a storm, like the one Pi (Life of Pi) faces in the middle of the ocean. In the moment, the storm is terrifying as it breaks our rafts and strips us bare. Than in the quiet that follows is a different kind of beauty. It’s the silence of a heart that has stopped fighting the waves and finally learned to breathe with the ocean. Both the storm and the quiet are beautiful, but only when we stop trying to name them and simply learn to float.

    “My words are like a ship, and the sea is their meaning. Come to me and I will take you to the depths of spirit.” Rami

    “Silence is an ocean. Speech is a river. When the ocean is searching for you, don’t walk into the river. Listen to the ocean.” Rami

    ‘Heart is sea, language is shore. Whatever sea includes, will hit the shore.’ Rami

    #455340
    Peter
    Participant

    Thanks Alessa

    Hi Thomas, thank you for that. I agree language is a profound gift and one I think is intimately tied to the gift of consciousness itself. It is indeed the bridge that keeps us from being truly alone.

    What I love about poems, and yours was beautiful) and Zen stories is how they invite us to hold that gifts lightly, so the words are less likely to become cages. In my own meditation, I’ve noticed a strange paradox: the very words I use to make my experience conscious can sometimes create a wall against that experience. There have been moments where I wasn’t sure when I was using the words, or when the words were using me.

    For example, my relationship with the word Forgiveness, and it is a relationship, actually kept me from the act itself for a long time. The word arrived like a commandment, already shaped by other hands. I found myself bowing to it, forgetting it was mine to rename. I’ve learned that when a word tightens around the heart, no doorway opens.

    I once thought I had to heal the past. But I’ve come to see that the past was never the wound, only the mirror. It was the lens I carried that needed tending, a lens made of words that had become too heavy for the truth. When we hold them lightly, the silence beneath them finally begins to breathe.

    #455306
    Peter
    Participant

    Hi Alessa -a wonderful lead into to similar thoughts I had – (I’ve been pondering this subject for a few weeks)

    “In the beginning was the Word.” I have always imagined that Word not as language, but as a living movement… creative, spacious, and uncontained.

    Into this Word, Adam appears and I imagine him running through the garden with the delighted curiosity of a child, touching creatures gently, laughing as names rise in him like small miracles. “Father,” he says, breathless, “I called this one hare. Do you like it?” And I imagine God smiling, not because it is correct but because it is alive. In that moment, naming is participation, a joining in the unfolding music of creation. Nothing is fragile. Nothing is broken, Nothing is judged. Even “wrong” names shine with an unguarded radiance.

    But there is another version that lives just as vividly. In this one, Adam returns from that same joyful day only to meet a God whose face has hardened. “No,” the voice says. “You named it wrong; are you trying to brake everything…

    Suddenly, the garden tightens. The air thins. The freedom of naming collapses into anxiety, and the Word that once created begins to contain. Naming becomes a duty weighted with the fear of error. This is a different kind of fall, a quiet exile that happens not by leaving Eden, but by losing the relationship to the Word that made Eden open.

    Yet the story doesn’t end in exile. I imagine Adam years later, walking the garden with careful steps, still convinced that a misplaced syllable might fracture the world. He kneels beside a trembling creature, and something soft and familiar stirs, the primal urge to greet, to name, to share delight.

    For a moment, he braces for the reprimand, for the familiar tightness of judgment. But the garden is quiet. And then, like a memory carried on a breath, he hears it: the warm, untroubled laughter of the first God. The One who delighted in every name, even the awkward ones.

    Something loosens. He remembers naming as play; he remembers God as companion; he remembers that nothing was ever fragile. Adam touches the creature and lets the name rise the way it once did, freely, gently, without the fear of breaking creation. And as the name leaves his lips, the world does not shatter.

    It inhales. It breathes.

    ———-

    “In the beginning, the Word created; after the fall, words contained; and when remembered, the Word is too alive to speak.”

    Sufi wisdom suggests that our deepest suffering is not a lack of doctrine, but forgetfulness, a loss of the original resonance beneath the sound. We have forgotten the intimacy behind the naming.

    The path, then, is Remembrance: a return not to a concept, but to a vibration of Being. It is a state of such profound life that to speak it is to diminish it… We do not find the Truth by defining it; we find it by becoming the silence in which it breathes.

    And so sometimes the wound is not the past, but the word we’ve been using to approach it. And sometimes healing begins not with speaking, but with remembering the silence beneath the speech.

    #455299
    Peter
    Participant

    Prison House of Language

    The walls are built of vowels and iron nouns,
    A mortar mixed from should and must and when.
    I pace the cell while all the world renowns
    Arrive as echoes scratching from my pen.

    I feel a grief without a face
    A tidal ache that never finds
    Yet lonely is the closest word,
    A hollow key that fits no door.

    I hunger for a truth too soft for speech,
    A pulse beneath the grammar of the mind;
    But since my youth, I’ve bartered what I reach
    For definitions where the lies are signed.

    The “I” I speak is not the “I” I know,
    Just syntax haunting bones it cannot feel;
    And what we call a “wound” can never show
    The raw, unworded space that waits to heal.

    We cease to think the moment we agree
    To walk the narrow halls the lexicons command.
    To stay within the lines is to be “free”
    Yet here I am, exiled in my native land.

    So let the “hurt,” and “forgive” fall past;
    Let the unfinished sentence hang in open air.
    For only when the final word has breathed its last
    Will I be found in the silence waiting there.

    #455298
    Peter
    Participant

    What surprised me most, in the days after stepping into that room, was realizing that the barrier had never been the past itself. The memories weren’t what kept me circling the same ache. It was my relationship to the words like forgiveness, the weight I had given them, the shape I insisted they take, the way I kept holding them up like a key that refused to turn.

    It’s counterintuitive, almost disorienting, to discover that a single word can stand between you and your own healing. But that’s the quiet trick of language: when a word grows rigid, we start mistaking its limits for our own. I had been trying to enter the past through a concept that had long since stopped carrying the life of what it pointed toward.

    Only when I set the word down, when I stopped asking it to do what it could not do, did the past begin to soften on its own. The healing didn’t come from naming, but from stepping into the space that appears when naming falls away. The story is simply the moment I realized that the door I couldn’t open was made of language, not memory. And once the word stopped trying to hold what it could never hold, the room behind it finally let me in.

    #455297
    Peter
    Participant

    On the Word That Would Not Open
    There is a room in me where language never learned to walk. I used to think the door was locked, but now I see it was only held shut by the weight of words I carried, all the forgive me’s and I should haves pressed together like stones in a satchel.

    I believed each word was a key. But every time I reached for one, it turned to dust in my hand. So I sat in the doorway of my own silence, too weary to speak, too afraid not to.

    One day, while tracing the grooves of an old wound, I whispered the word “forgiveness” the way you whisper the name of someone who left years ago. The word echoed back to me, thin, obedient, harmless. Nothing in it moved.

    It was then I understood: The word had become a wall. And I had been kneeling before it, thinking it was a gate. I felt a loneliness then, not the ache of being unseen, but the ache of seeing at last that I had mistaken the symbol for the thing itself.

    So I placed the word on the ground, gently, like setting down a cup I no longer needed. It did not break. It simply stopped trying to hold what it could not hold. The silence that followed was not empty. It was spacious, like a lung discovering its first breath. In that space, something shifted, a soft loosening in the center of my being. As if the truth, long patient, had been waiting for me to stop talking.

    I realized then that forgiveness is not a word you say, but a room you return to. A room where nothing must be named, and nothing is held against you. Not even the years you spent trying to open a door that was never meant to be opened with language.
    I stepped inside. And the moment I did, the loneliness slipped from my shoulders like a garment I no longer needed to wear. In the quiet, I finally felt found.

    #455295
    Peter
    Participant

    I found a word lying in the dust today. It had grown tired of being spoken. When I picked it up, it broke into light just enough to show that the door I kept pushing was only a shadow on the wall. So I walked through the place where the word used to be. On the other side, nothing waited. And somehow, that was the first kindness I had felt in years.

    When definitions become the walls that keep our hearts in prison is this not the truest loneliness?

    The Word That Bars the Door
    These walls are made of language…
    vowels mortared with should,
    nouns sharpened to a point.

    There is a grief here
    that no syllable can hold,
    a tide with no shoreline
    except the thin word lonely,
    a key that has no door.

    I have traded my life
    for definitions,
    for the safety of names
    that keep me from the truth
    breathing beneath them.

    The “I” I speak
    is only the shadow
    of the one who feels.
    Every word for “wound”
    is a veil over the wound.

    And when we walk the path
    the dictionary lit for us,
    we call it freedom…
    though every step
    shrinks the world.

    So let “forgiveness” fall away.
    Let the sentence collapse
    into its own silence.

    Only there…
    where nothing is said…
    Will I be found…

    This falling away is not meant to silence pain, only a doorway I’ve found beneath my words.
    The silence is mine; may every heart speak its pain in the way it needs.

    #454760
    Peter
    Participant

    My first reaction to what James said was that even the idea of “surrendering” eventually gets surrendered. It’s not something you do so much as it’s something that happens when you stop holding on. Even the ‘you’ dissolves. And yeah, that can absolutely feel like a loss at first.

    When I first started meditating, based on what I thought meditation was supposed to be, the silence that met me felt almost indifferent and so painful. Than as my constructs, my stories, and what I believed myself to be started falling away, it honestly felt like I was disappearing too.

    But over time I noticed something important: when the constructs fell away… I didn’t. There was still a presence in that “nothingness.” A kind of spacious, quiet awareness… the same stillness AUM rises from and returns to. And in that space, “I” wasn’t abandoned. “I” was held.

    From that sense of being held, compassion began to arise on its own. And I realized that the “nothingness” we’re so afraid of isn’t a loss or a void in the frightening sense. It’s the openness that holds everything. It’s what allows everything to appear and dissolve.

    That, to me, is the Love James is pointing to, not an emotional love, but the underlying presence that’s always here when everything else drops away.

    #454377
    Peter
    Participant

    Canvases All the Way Down

    Body… the first canvas.
    Breath… the first brushstroke,
    rising from the unseen, returning to the unseen,
    moving in a rhythm older than memory.

    Mat beneath body…
    second canvas of quiet flesh,
    holding the arcs of motion,
    the folding and unfolding,
    the ancient prayer spoken without words.

    Floor beneath mat…
    wider canvas of many breaths,
    bearing the weight of countless bodies,
    each one a tide, each one a whisper
    in the great dark.

    Beneath the floor…
    deeper grounds of stillness,
    one upon another, falling away,
    yielding, dissolving into deeper night.

    Canvases upon canvases… veils upon veils,
    each one thinning, each one opening,
    each one pointing toward the ground
    that cannot be spoken.

    Until all surfaces fall away,
    and only the ground remains…
    unspeakable, unpainted, unborn.
    Where breath has no owner,
    where body has no edge,
    where the canvas
    and the painter
    and the painting
    are one.

    #454376
    Peter
    Participant

    Here. Before thought. Before the painter. Before the painting.

    #454367
    Peter
    Participant

    Hi James,

    Maybe… there is that hollow between breaths, when rising has ended and returning has not begun… a space not held, not owned, simply suspended, weightless, known without a knower.

    At times it feels like dissolving into the canvas, the surface still blank though it carries every painting that has ever appeared and every painting still waiting to be born. Sometimes I notice yin and yang dancing across that emptiness‑that‑is‑fullness, and sometimes, rarely, I find myself in that instant before the brush descends, when “I” am and am not the canvas, or the paint… Then the Hermit taps his staff in the dark: no further.

    It’s a slipping out of the frame, a pause where the familiar “me” does not gather itself… and yet walking continues, breathing continues, the world continues. A quiet shift rather than a dramatic disappearance — a vanishing that erases nothing, only the one who imagines he is the painter of the scene.

    Between rising and falling, the breath disappears. Who notices the disappearance?

    #454365
    Peter
    Participant

    When surrender is total, the duality between “me” and “world” collapses. Even the idea of enlightenment collapses. What remains cannot be named… even silence surrenders.

    Yet both of us speak and undo ourselves…

    James, what strikes me in this exchange is the way language keeps pulling us back in, even when we’re both pointing beyond it. The moment we speak of the “unspeakable ground,” we’ve already stepped into the very movement we’re trying to dissolve. Such is the suchness of dialogue.

    My own approach, and what I felt you point to, is exposing experience itself, as a construct. Trusting that when the scaffolding of interpretation is seen for what it is, it loosens. And when it loosens, every construct, including my words, even yours, dissolves. What remains is not a metaphysical claim but a kind of seeing: the world as a mirror without a face, transparent to what is transcendent.

    In that sense, I’m not trying to name the ground or deny it. I’m simply watching how the naming happens, how the world‑as‑told arises, and how it falls away. Where your language points to the source before all stories; mine points to the unraveling of the story itself. Even that one… Different gestures, both moving toward the same vanishing point.

    And then, because life is never finished with us… as if from the far edge of the road, Lao tzu wanders by to remind us of the gravity of things. He taps his staff on the earth and murmurs: “Heavy is the root of light. Still is the master of moving”. – Tao Te Ching 26

    He speaks of wise souls who travel with the “heavy” wagon, who return each night to the solid, quiet house, who do not let themselves grow lighter than the world they inhabit. For lightness loses its foundation, and movement loses its mastery.

    And suddenly the whole conversation, the unmaking of self, the dissolving of constructs, the unspeakable ground settles into something simple: A body standing on the earth. A breath rising and falling. A life that must still sweep the floor, fold the sheets, carry out the trash… to vanish into the nameless and still walk steadily through the named world, rooted, present, unhurried, as if carrying a quiet house within.

Viewing 15 posts - 1 through 15 (of 1,312 total)