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PeterParticipantHi 🚶♀️ Anita,
It’s powerful to hear how you’ve reclaimed your ability to move and become ‘the walker’ in your own life. We all have different ways of relating to and finding the ground beneath us. I’m glad you found a way to stand and keep moving forward.
PeterParticipant🌄 Anita – to close the loop
It is the great irony of the human condition: we work tirelessly for that which no work requires. We treat being present (and so love) as a destination to be reached, a ‘how-to’ to be mastered, forgetting that the question itself is a measure of time, while ✨️presence✨️ is eternal. We are already the canvas; we are already the still point.
As T.S. Eliot suggested, the end of all our exploring is to arrive where we started and know the place for the first time. Perhaps ‘unconditional love’ is simply the name we give to that arrival. When we stop trying to ‘be’ present and simply recognize that we are presence, the burden of performance vanishes. Language, with all its metrics and conditions, finally falls away. We are no longer managing a relationship or meeting a standard; we are simply home. We have returned to the origin, seeing for the first time that the love we were trying to achieve was actually the ground we were standing on all along.
PeterParticipantWe have come full circle!
If presence is the still point, the silent canvas upon which the messy paintings of our lives are layered, then the ‘quiet tension’ of unconditional love finally resolves. We see that love is not a feeling we generate or a benchmark we hit, but a sustaining reality we simply inhabit.
To say that presence is our destiny is to admit that we are moving toward a total transparency, where the ‘smoke and mirrors’ of our evaluations finally clear. In this light, the ‘I’ and the ‘You’ aren’t separate entities negotiating a contract; they are the intimate immediacy of a single, infinite gift. We are being poured out into one another. When we are truly present, we aren’t just observing the other person, we are returning to the love that was our origin all along.
PeterParticipant🙂
PeterParticipantThe phrase unconditional love has always carried a quiet tension for me. (so I thought I’d try dancing with the words to see where they might land)
In my observation, the pursuit of being “unconditionally loving” all too often leads to immense pressure. The moment we ask for unconditional love, from ourselves or others, we turn it into a rigid benchmark, a condition one must meet in order to be considered “good” at loving or even being loved. In this way, unconditional love can quickly become one heck of a condition.
Part of this comes from the nature of language itself. The moment we say “I love you,” we create an “I” and a “you.” Love slips into relationship, and relationship easily becomes evaluation. “I love you because…” becomes the contract. Then comes the moral correction: “I must love you without…” Now love is no longer something lived, it becomes something managed.
We begin watching ourselves: “Am I being unconditional enough right now?”
In that moment, a split forms. We are no longer with the other person; we are standing beside ourselves, judging our ability to love. What began as connection turns into performance.
What if, instead, we understood ‘unconditional love’ as Presence?
Not a standard to achieve, but a way of being.
When love is Presence, the pressure eases. It is no longer about maintaining a moral ideal, but about arriving—again and again—at what is actually here. To be present is to see the other person as they are: their habits, their evasions, their peculiarities, the parts we don’t fully understand. And to meet that without the immediate reflex to fix, improve, or measure them against who they should become.
Presence is not passive. It is attentive, responsive, quietly engaged. It allows care to arise without forcing it into shape. In that kind of seeing, conditions temporarily fall away, not because they’ve been solved, but because they aren’t being imposed. The past loosens its grip. The future softens. There is only this person, as they are, in this moment.
Of course, none of us can live there all the time. We are human. Our nervous systems scan, compare, react. We evaluate constantly.
But perhaps the practice shifts here. Not toward perfect, unconditional love, but toward a willingness to notice when we’ve left presence and to return.The “condition” is no longer that love must be flawless. It becomes the willingness to come back when we’ve drifted into judgment.
Seen this way, unconditional love is not a free pass for harmful behavior that it to often becomes. Presence does not blur clarity, it sharpens it. When we are not clouded by resentment or idealization, we can see another person more honestly, both their limitations and their beauty.
And from that clarity, a different kind of choice becomes possible: not “How do I love you perfectly?”, but something quieter and more grounded – Is this a reality we can stand within?
PeterParticipantHi Anita – I can’t say I’ve can see myself as CoPilot describes but I’ll take it 🙂 at least it didn’t say I was nuts.
I’m glad you have been able to join in the Dance. 🙂
PeterParticipantI didn’t notice your last comment – Thanks for saying that Anita – You should see me try to verbalize an idea; I’m usually met with a blank stare. I don’t mean to be so wordy, but I’ve found that I learn more from ‘feeling’ and ‘dancing’ with words than trying to logically understand them. Take the words ‘black-and-white’, I know you mean straight talk – but playing with them I wonder if for society in general the ‘and’ isn’t really heard as a ‘AND’ but has become an OR? LOL that made my own eyes glaze over.
LOL time to retreat and sit under a tree.
PeterParticipantStarlight – I too have struggled with those words – to forgive as I forgive… here I feel we are bigger then big in a universe we are smaller then small. If I were a painter that is what I would try to paint… and now I picture a hand pointing at itself…
Trust the questions, or better yet continue to paint them… your instincts, are pretty grounded, let them guide you…. Star-light
PeterParticipantWhat I’m trying to say is that as a child, the chaos was so loud that the distance between you (the observer) and your life (the observed) was just too great to feel the ‘canvas’… you were just trying to survive.
Yet, that foundation was always there. Today, in your stillness, the distance is closing… I want to say, with all compassion, let the child breath. You won’t lose her; she is part of the canvas and no longer needs to keep watch anymore… because the ground is holding you both…
PeterParticipantI am afraid I have confused things… to many words…
PeterParticipantHi Starlight
’m so sorry for being confusing. I want to be very clear: I am not saying you need to find a way to forgive. Your boundaries and your anger are completely valid, especially given what you’ve been through.
My “worry” was less about the specific events and more about how the words we use to frame such events can unintentionally trap us. In my own experience, I’ve used the words “I will not forgive” as a way to say (without really noticing) that “I will use anger to protect myself.” It turned out to be incredibly exhausting and, honestly, it didn’t actually protect me, it just kept me tethered to the pain. To be clear I’m not saying your are doing that, only that that was the ‘source’ of a concern, triggered by the topic heading.
Let us bring it back to the Art. As an artist, I was wondering if exploring the words like “forgiveness” or ‘block’… could be a way to unblock your creativity? Not to change how you feel about the past, but to see what a ‘word’ might looks like. Does it have a shape or a color? Is it a cage, a stone, or a breath? What might it look like, to look at the world though the shape being drawn? Investigating the “spell” of a word visually might be a way to move it out of the mind and onto the heart?
PeterParticipantMorning Anita.
It is heartbreakingly sad to have grown up without that first ‘mat’ of maternal and or paternal safety to hold us…
I am reminded of a line by Mitch Albom that says, “All parents damage their children… Youth, like pristine glass, absorbs the prints of its handlers.” The prints left on your glass were so heavy and chaotic that they obscured the floor beneath you. But the glass is still there, and the fact that you are now cleaning it—looking through it to find that ‘sacred boundary’—is your great creative act.
When you describe the fear of disappearing into the chaos, you’re describing what happens when the floor we were promised simply wasn’t there. It makes perfect sense that your body still senses danger in stillness; for a child in chaos, being ‘still’ can feel like being a target.
Yet, as we have been circling… Underneath that missing mat, the ‘mother’ who wasn’t there as you needed, was actually another, much older mat. Even when the human floor was chaotic, the Earth was still holding the floor, and the Universe was still holding the Earth.
You might ask, ‘How do I know that a deeper mat was actually there?’
I know because you are still here. Despite the chaos and the lack of a human floor, you remained present to yourself. You survived the abyss, with a heart that was broken, yes… but also a heart broken open with compassion for others. That spark of ‘Anita’ that stayed alive and is now seeking stillness is the evidence that a deeper, more ancient mat holding you all along
As the ‘chaos’ of the human layer is moving out of the way, you are able to recognize that unwavering foundation now. The danger your body feels is a memory, but the ‘designated patch of pure being’ you are finding today? That is the original mat. It was always there, patient and unmoved, waiting for you
PeterParticipantHi Starlight1 – great name
And great question. We often use ‘unforgiveness’ as a placeholder for a boundary, but it may not be the thing we think it is.
A boundary is a fence you build to keep yourself safe; unforgiveness is often a heavy stone you carry to remind yourself why the fence is there. You don’t need the stone to keep the fence strong. And I think its also important to remember that forgiveness doesn’t make what happened okay, and it certainly doesn’t remove accountability. It can, however, change your relationship to the event and to your own heart.
Words, when we’re not careful, and I speak from experience, can become like ‘spells’ we cast over ourselves. When we say “I don’t forgive,” the mechanical mind takes that as a literal command to stay in a permanent state of defense and anger. Many wisdom traditions warn us about this: when the mind gets stuck in these rigid, automatic definitions, it eventually ‘hardens the heart’ to protect it. We then become ‘stuck.’
Such a definitive stance on a concept like forgiveness, while completely justified by your pain, might be the very spell keeping your creativity blocked. Yet what if forgiveness was defined as ‘releasing the weight so I can breathe,’ rather than ‘letting them off the hook’? I feel that breaks the cycle; it stops you from being tethered to the stone while you tend your fence.
As for your question about art… yes! I think it can!
For me, this ‘wrestling’ with words like forgiveness is exactly where the creative work begins. You could explore this visually: What does a ‘mechanical’ thought look like compared to a ‘living’ one? How would you paint the weight of a word versus the space of a breath?
Instead of waiting for the block to go away so you can make art, use the art to investigate the block. Turn the struggle with ‘forgiveness’ into a study of shapes, weights, and colors… and perhaps tears. That may be how you avoid being the victim of a word and start being the creator of your own narrative?
PeterParticipantHi Starlight
I don’t normally comment on personal matters, and glad you have someone like Anita walk with you… but when I read a heading like ‘I don’t forgive,’ I worry.
I worry because I’ve often experienced and observed that our relationship to certain words, the way we define them in our own minds, can unintentionally undo us.
It might sound strange, but I’ve seen how holding onto a rigid definition of ‘forgiveness’ can act like a weight that hardens the heart. It’s as if by saying ‘I don’t forgive,’ we think we are protecting ourselves, but we might actually be accidentally giving those people a permanent seat at the table of our lives.
I’m concerned that this definitive stance, while totally justified by your pain, might be part of the very thing sustaining the creative struggle you’re feeling? To me, forgiveness isn’t about the other person being ‘right’ or even ‘okay’; it’s about deciding that you are no longer willing to carry the heavy end of their behavior. I’d hate for a word to keep you blocked from the art you were meant to make
PeterParticipantHi Anita – I think the best dancing happens late in life 🙂
A reflection on this mornings yoga class: “Mats All the Way Down”
The class begins with the unrolling, a rhythmic click-clack of rubber meeting wood. We call it “my mat,” a rectangle of sovereignty where we play out the drama of our breath and bone. We think we are here to move, to sweat, to paint the morning with our effort. But the mat is patient. It does not move. It is the steady substrate that waits for the paint to dry, for the story of the body to settle, until the “canvas” of our being finally shows through the exertion.
But look closer. My mat rests on the studio floor, a larger mat of oak and nails that holds and connects twenty of us in our private struggles. And the floor rests upon the earth, the Great Mat, the ancient weaving of soil and stone that carries the dance of every living thing. It is mats all the way down.
Each one is a reminder. We don’t “use” the mat, the mat holds us. It holds us still enough to realize that we are not the movement, but the stillness that allows it. We bow not to the floor, but to the fact that something is there to catch us.
As it is above, so it is below. The cosmos is the canvas, the earth is the rug, and my heart is the smallest, most intimate mat of all. Each time I step on, I am not starting a workout. I am coming home to the original, unpainted surface. I am remembering that before I was a dancer, before I was a worker, before I was a name, I am held.
….
Have you ever wondered about the way our ‘sacred’ spaces evolved around mats. Whether it’s a yoga mat, a prayer rug, or a dance floor, they all act as a sacred boundary, a designated patch of pure being. When we step onto them, we aren’t just changing locations; we are stepping off the ‘painted world’ of chores, emails, and social roles.
We ‘return to the mat’ because the world is designed to make us forget. The ‘paint’ of daily life is loud and demanding, but the act of bowing or kneeling is a physical way of saying: I am smaller than the paint, but one with the canvas. It is a literal lowering of the ego to touch the substrate.
It’s the Hermetic maxim in action: As Above, So Below. If the ‘canvas’ is the vast, eternal stillness of the universe, then the mat is our personal, microscopic version of that stillness. By touching it, we plug back into the source. Even on the dance floor, where we are all ‘movement,’ we cannot dance without the floor to hold us… We think we are using the mat to ‘work out,’ but perhaps the mat is actually there to hold us still long enough for the canvas to finally show through?
I do not think it a coincidence that so many of our interactions with life and its objects call out to us to remember – with eyes that see and ears the hear…
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Though I run this site, it is not mine. It's ours. It's not about me. It's about us. Your stories and your wisdom are just as meaningful as mine. 